RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY

Serebryanaya, Irina

RAS Social ScienceПсихологический журнал Psikhologicheskii zhurnal

ISSN (Print) 0205-9592

ISSN (Online) 3034-588X

RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY

PII

S0131-61170000525-2-1

DOI

10.7868/S70000525-2-1

Publication type

Article

Status

Published

Authors

Irina Serebryanaya

Volume/ Edition

Volume / Issue №5

Pages

3-11

Abstract

The article is devoted to assessments of the sound and pronunciation aspects of poetry, prose and drama of the first half of the 19th century. In the emotionally interested remarks of Russian critics about euphony, sound writing and pronunciation correctness of works of art clearly reflected the linguistic and aesthetic preferences and normative and stylistic ideas of the era.

Keywords

criticism of the language of fiction; phonetic organization of a literary text; euphony and onomatopoeia; "Poetic liberties" of a sound nature; observance of orthoepic norms in works of art.

Date of publication

01.09.2011

Year of publication

2011

Number of purchasers

Views

549

References

GOST	Serebryanaya I. RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY // Russkaya rech. – 2011. – Issue №5 C. 3-11 .
MLA	Serebryanaya, Irina "RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY." Russkaya rech. 5 (2011).:3-11.
APA	Serebryanaya I. (2011). RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY. Russkaya rech. no. 5, pp.3-11

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RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY

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RUSSIAN CRITICISM ABOUT SOUND AND SOUND SCRIPTING IN POETRY

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